{
  "hero": {
    "via": "grok-cli image_gen (manuell)",
    "generatedAt": "2026-09-14T16:39:12.836Z",
    "aspectRatio": "21:9",
    "prompt": "Wide alpine river landscape in the spirit of the Isar south of Munich: a broad, shallow, turquoise-blue river braiding across pale gravel banks, bright almost-white morning sky filling the upper half, soft foothills and a hint of mountains far on the horizon, a few sparse pines. The upper half must stay very light and quiet so a headline can sit on it. Painterly editorial illustration with a fine halftone grain, calm and precise. Restrained palette: white, pale mist grey, deep ink black, and one clear cobalt blue accent. Soft diffuse daylight, lots of negative space, no people, no faces, no animals, no text, no letters, no logos, no watermark. Not photorealistic — clearly an illustration.",
    "sourceSha256": "3ff55ae969689e46148fd18d2d2f9cbebe5fbdc913488ed0c316c20b7c4c9075",
    "digitalSourceType": "http://cv.iptc.org/newscodes/digitalsourcetype/trainedAlgorithmicMedia",
    "upscaled": "3000px aus Quelle, Lanczos3 + Schärfen"
  },
  "webdesign": {
    "via": "grok-cli image_gen",
    "generatedAt": "2026-09-14T16:55:49.917Z",
    "aspectRatio": "4:3",
    "prompt": "Top-down drawing of two sheets of paper lying flat on a pale surface, each carrying a simple website wireframe drawn in ink lines: header bar, a large box, three small boxes, a few text lines. One box is filled flat cobalt blue. A pencil lies beside them. Flat editorial illustration, the same visual language as a pen-and-wash landscape drawing: thin black ink contour lines, flat muted washes of off-white and pale grey, exactly one flat cobalt-blue fill as the only colour, fine stippled halftone grain, matte paper feel. Lots of empty pale space. No photorealism, no 3D rendering, no photography, no reflections, no soft gradients, no people, no faces, no animals, no text, no letters, no logos, no watermark.",
    "sourceSha256": "22fcbb3143ef62de16361afe30e608debee878fdb1f69bd852c4fa5aacbba6ac",
    "digitalSourceType": "http://cv.iptc.org/newscodes/digitalsourcetype/trainedAlgorithmicMedia"
  },
  "engineering": {
    "via": "grok-cli image_gen",
    "generatedAt": "2026-09-14T16:56:45.408Z",
    "aspectRatio": "4:3",
    "prompt": "Drawing of a river gauge post standing in shallow water at a gravel bank: a tall white board with a fine ink scale of tick marks, the water surface drawn as a single flat cobalt-blue band crossing the lower third, pale gravel and a few pebbles in grey wash. Calm, exact. Flat editorial illustration, the same visual language as a pen-and-wash landscape drawing: thin black ink contour lines, flat muted washes of off-white and pale grey, exactly one flat cobalt-blue fill as the only colour, fine stippled halftone grain, matte paper feel. Lots of empty pale space. No photorealism, no 3D rendering, no photography, no reflections, no soft gradients, no people, no faces, no animals, no text, no letters, no logos, no watermark.",
    "sourceSha256": "3c9a54c554eaa0af5887905daf7562ef12fe4642445e633665e2de24b2b679b0",
    "digitalSourceType": "http://cv.iptc.org/newscodes/digitalsourcetype/trainedAlgorithmicMedia"
  },
  "product": {
    "via": "grok-cli image_gen",
    "generatedAt": "2026-09-14T16:57:12.642Z",
    "aspectRatio": "4:3",
    "prompt": "Top-down drawing of smooth river stones laid out in a neat grid on pale gravel ground, each stone outlined in ink and washed in grey; exactly one stone filled flat cobalt blue. A study in order, rhythm and one decision. Flat editorial illustration, the same visual language as a pen-and-wash landscape drawing: thin black ink contour lines, flat muted washes of off-white and pale grey, exactly one flat cobalt-blue fill as the only colour, fine stippled halftone grain, matte paper feel. Lots of empty pale space. No photorealism, no 3D rendering, no photography, no reflections, no soft gradients, no people, no faces, no animals, no text, no letters, no logos, no watermark.",
    "sourceSha256": "b2241dddec2267cf43e02e978917194c44209c59d99afe1628abb0c8ea56ad22",
    "digitalSourceType": "http://cv.iptc.org/newscodes/digitalsourcetype/trainedAlgorithmicMedia"
  },
  "ki": {
    "via": "grok-cli image_gen",
    "generatedAt": "2026-09-14T17:00:05.983Z",
    "aspectRatio": "4:3",
    "prompt": "Top-down drawing of a small river delta seen as a diagram: one flat cobalt-blue channel branching into several thin ink-line streams that each reach a small grey outlined square box on pale gravel ground — a network of connections drawn as a landscape. Orderly, calm, precise. Flat editorial illustration, the same visual language as a pen-and-wash landscape drawing: thin black ink contour lines, flat muted washes of off-white and pale grey, exactly one flat cobalt-blue fill as the only colour, fine stippled halftone grain, matte paper feel. Lots of empty pale space. No photorealism, no 3D rendering, no photography, no reflections, no soft gradients, no people, no faces, no animals, no text, no letters, no logos, no watermark.",
    "sourceSha256": "caa7d51eec51a767a062bee0e36b7d37bcb7ac13824214cefd70fc601b10ad6f",
    "digitalSourceType": "http://cv.iptc.org/newscodes/digitalsourcetype/trainedAlgorithmicMedia"
  }
}